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Marvel

Vox's ongoing coverage of all things Marvel.

The Marvels, goofy and bold, shows there’s still some magic left in the MCU 

By Alex Abad-Santos

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Guardians of the Galaxy Vol. 3 is somehow the best animal rights movie of the year

By Bryan Walsh

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Guardians of the Galaxy Vol. 3’s two credits scenes, explained

By Alex Abad-Santos

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Guardians of the Galaxy Vol. 3 is the best Marvel movie in years

By Alex Abad-Santos

Marvel is in a rut

By Alex Abad-Santos

Quantumania’s post-credits scene gives us Marvel’s next big bad

By Alex Abad-Santos

Black Panther: Wakanda Forever unearthed deep colorism within Latino communities

By Izzie Ramirez

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Wakanda Forever’s touching credits scene, explained 

By Alex Abad-Santos

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Marvel has a whole lot riding on Black Panther: Wakanda Forever

By Alex Abad-Santos

She-Hulk: Attorney at Law: Power means letting female heroes take up space

By Alex Abad-Santos

Marvel’s villains are eclipsing its heroes

By Alex Abad-Santos

Thor: Love and Thunder’s post-credits scene is a big casting announcement

By Alex Abad-Santos

Underground hip-hop is banned in Egypt. Now, it’s the soundtrack to Marvel’s Moon Knight.

By Jonathan Guyer

The Multiverse of Madness’s huge X-Men tease, explained

By Alex Abad-Santos

The Avengers aren’t friends, they’re coworkers

By Alex Abad-Santos

One of Multiverse of Madness’s 2 credits scenes is a huge casting announcement

By Alex Abad-Santos

Morbius sucks the fun out of the vampire story

By Alex Abad-Santos

Oscar Isaac gets to be a hero, dork, and Egyptian god in Moon Knight

By Alex Abad-Santos

The rise of the post-credits scene, explained 

By Alex Abad-Santos

5 big questions about Spider-Man: No Way Home’s game-changing ending 

By Alex Abad-Santos

Spider-Man: No Way Home’s two credits scenes feature a villain, a hero, and a broken multiverse

By Alex Abad-Santos

The big reveals in Eternals’ two post-credits scenes

By Alex Abad-Santos

Venom: Let There Be Carnage has a bombshell post-credits scene

By Alex Abad-Santos

Why Shang-Chi’s success matters — and why it shouldn’t

By Alex Abad-Santos

How Shang-Chi’s post-credits scenes shape the future of the MCU

By Alex Abad-Santos

Welcome to the bigger, bolder, and maybe overcrowded MCU

By Alex Abad-Santos

Black Widow gives the character a soul — several years too late

By Alex Abad-Santos

Black Widow’s post-credits scene sets the table for Florence Pugh and the MCU

By Alex Abad-Santos

Loki gives Marvel’s beloved villain a charming second chance

By Alex Abad-Santos

The Falcon and the Winter Soldier explores the modest, post-Endgame life of superheroes

By Alex Abad-Santos

WandaVision’s disappointing finale and the problem with demanding “justice” in fiction

By Emily St. James

WandaVision was great. But its finale left me cold.

By Alex Abad-Santos

WandaVision’s series finale sets up the future of Wanda and the MCU

By Alex Abad-Santos

Why WandaVision has become a lightning rod in pop culture discourse

By Emily St. James

WandaVision’s twist on Wanda Maximoff’s Scarlet Witch origin story, explained

By Alex Abad-Santos

How WandaVision is setting up Monica Rambeau’s superpowers

By Alex Abad-Santos

WandaVision’s big nod toward an MCU multiverse, explained

By Alex Abad-Santos

WandaVision’s comic book connections, explained

By Alex Abad-Santos

WandaVision is at its best when it gets weird

By Alex Abad-Santos

Can Captain America serve two dramatically different versions of America?

By Aja Romano

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