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Brassai: The Eye of Paris Paperback – January 1, 1999
- Print length367 pages
- LanguageEnglish
- PublisherMuseum of Fine Arts Houston
- Publication dateJanuary 1, 1999
- Dimensions9.75 x 1 x 13.5 inches
- ISBN-100890900868
- ISBN-13978-0890900864
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Product details
- Publisher : Museum of Fine Arts Houston (January 1, 1999)
- Language : English
- Paperback : 367 pages
- ISBN-10 : 0890900868
- ISBN-13 : 978-0890900864
- Item Weight : 4.95 pounds
- Dimensions : 9.75 x 1 x 13.5 inches
- Best Sellers Rank: #8,359,957 in Books (See Top 100 in Books)
- #5,207 in Photography Collections & Exhibitions (Books)
- #33,553 in Arts & Photography Criticism
- #38,307 in Individual Artists (Books)
- Customer Reviews:
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Reviewed in the United States on October 25, 2015
It is sad indeed to report that the book is a total disappointment- at least so far as the images themselves are concerned:
One: The source material and printing of the picutres are truly second-rate - without richness, luster, or dimension. Many look like photocopies from magazines or other books. They are oddly glossy but flat. Compare these to the incredible matte reproductions in PARIS BY NIGHT and the contrast between what can be done with with what is here is nearly heartbreaking.
Second: What is with the recent tendency to print photographs in an oversized, right-to-the-edges format with no sense of border or space to let the composition breathe and no sense of frame lines. The bleed-over simply kills the impact of many of these photogrpahs. It's a ruinous way to present great imagery. (It afflicts Abrams' new Bill Brandt book as well but to a lesser extent because the printing of that book is so much better.)
Third: There is very little that is new here. For such a major undertaking it comes across as a routine collection of well-known images, a greatest hits, that ends up delivering little emotional punch or insight into this great artist. Compare this to Abrams' own exhaustive works like Walker Evans: The Hungry Eye and you'll see what I mean.
With so many great photographers receiving deluxe treatment in the past few years from Abrams' W. Eugene Smith book last year to Bulfinch's Lartigue mongraph, it is a real shame that someone as seminal but poorly represented in print as Brassai should receive such a well-intentioned but unsatisfactory tribute. PLEASE BRING BACK PARIS BY NIGHT!