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Wellfleet, 1993

Photograph
1993 (photographed)
Artist/Maker
Place of origin

The American photographer Philip-Lorca diCorcia (born 1951) is known for creating images that are poised between documentary and theatrically staged photography. Born in Hartford, Connecticut/U.S.A, he studied photography at the University of Hartford in the 1970s, and later at Boston’s School of the Museum of Fine Arts and at Yale University, where he received his M.F.A. in 1979. DiCorcia is the recipient of a Guggenheim Fellowship and has held solo exhibitions at The Museum of Modern Art in New York, the Centre National de la Photographie in Paris, and the Reina Sofía in Madrid. He currently lives and works in New York.

For his 2003 project A Storybook Life, diCorcia selected 76 photographs spanning three decades of his career, presenting them in a specific order. Conceived as neither a single body of work nor a mere sampling of past photographs, A Storybook Life instead constructs its meaning and narrative in part through the juxtaposition of images, which encourage a kind of free association. Rather than existing as a traditional narrative documentary sequence they serve as an exploration of the emotional effect of image after image. Unlike diCorcia’s other projects, for which he hired models or photographed strangers on the street, almost all of the subjects peopling these pictures are drawn from his own life. DiCorcia photographed friends and family in shots that appear completely candid, but in actuality involved hours of staging and elaborate lighting techniques to blur the lines between the everyday and the fabricated.


Object details

Category
Object type
TitleWellfleet, 1993 (assigned by artist)
Materials and techniques
photographic paper, photography
Brief description
One photograph by Philip-Lorca diCorcia entitled 'Wellfleet, 1993' from the series 'A Storybook Life', 1970s to 1990s, C-type print, printed 2015
Physical description
A colour photograph of a man and a girl on a beach with the sea in the background. The man is kneeling on the sand having just dug a hole. There is a large pile of sand in front of him. The girl stands to the right of the image with her arms folded.
Dimensions
  • Image height: 27.3cm (image)
  • Image width: 41.3cm
Production typeLimited edition
Marks and inscriptions
(Signed and editioned on verso)
Gallery label
'A History of Photography: Series and Sequences' Gallery 100 6 February - 1 November 2016 Philip-Lorca diCorcia (born 1951) ‘New York City 1996’; ‘Hartford 1978’; ‘Skopelos 1993’; ‘Kansas City 1980’; ‘New York City 1984’ From the series ‘A Storybook Life’ 2014 This series includes photographs taken over three decades. DiCorcia’s strategy combines elements of the documentary tradition with the fictional methods of advertising and cinema, linking reality with fantasy. C-type prints (printed 2014) Courtesy of David Zwirner Gallery(6 February - 1 November 2016)
Credit line
Given by David Zwirner Gallery and Philip-Lorca diCorcia
Production
Edition 4 of 10
Summary
The American photographer Philip-Lorca diCorcia (born 1951) is known for creating images that are poised between documentary and theatrically staged photography. Born in Hartford, Connecticut/U.S.A, he studied photography at the University of Hartford in the 1970s, and later at Boston’s School of the Museum of Fine Arts and at Yale University, where he received his M.F.A. in 1979. DiCorcia is the recipient of a Guggenheim Fellowship and has held solo exhibitions at The Museum of Modern Art in New York, the Centre National de la Photographie in Paris, and the Reina Sofía in Madrid. He currently lives and works in New York.

For his 2003 project A Storybook Life, diCorcia selected 76 photographs spanning three decades of his career, presenting them in a specific order. Conceived as neither a single body of work nor a mere sampling of past photographs, A Storybook Life instead constructs its meaning and narrative in part through the juxtaposition of images, which encourage a kind of free association. Rather than existing as a traditional narrative documentary sequence they serve as an exploration of the emotional effect of image after image. Unlike diCorcia’s other projects, for which he hired models or photographed strangers on the street, almost all of the subjects peopling these pictures are drawn from his own life. DiCorcia photographed friends and family in shots that appear completely candid, but in actuality involved hours of staging and elaborate lighting techniques to blur the lines between the everyday and the fabricated.
Associated objects
Collection
Accession number
E.489-2015

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Record createdNovember 2, 2015
Record URL
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